Vanessa is practically the patron saint of experimental cinema in Portland. She has been making work longer than most younger artists have been breathing and continues to surprise and delight with her vast catalog of short films, video installations, and whatever else interests her. Vanessa is on fire this year with a host of screenings and exhibitions coming up including one at the Centre Pompidou at the end of April. Go Vanessa! She keeps the “Future Shows” section of her site up-to-date so check back often to see if she has a show in your town.

-SSlappe

-SSlappe

The fifth installment of my Portland artists series. More good stuff to come!

-SSlappe

MSHR ~ Self-Terracing Entity - Brenna Murphy

Brenna’s site is here— tread carefully if you’re psychologically unstable.

-SSlappe

Watch me break it down. - Julie Perini - 2006

Check out Julie’s site and blog.

-SSlappe

“Documentation of my suite of works, The Medium is the iMessage, part of the Hypercorrection exhibition at Recess Gallery in Portland, OR during February 2012. These works examine the delivery and message of texts by Marshall McLuhan and Bruno Latour in our contemporary digital society.”

Check it out! More links to work by Portland people will be posted over the next few days so come back tomorrow.

-SSlappe

Portland has a new experimental film and video festival!

When I moved to Portland ten years ago, one of the first video-related shows I attended was the PDX Film Fest. Matt McCormick, building on his popular Peripheral Produce screening series, spearheaded the PDXFF and helped maintain its playful spirit for many years. In the midst of an always impressive roster of screenings and workshops, PDXFF hosted the tongue-in-cheek “World Championship of Experimental Cinema” where audiences played bingo for door prizes while format changes occurred in the projection booth. Art Office’s own Julie Orser was crowned champion in 2006! When the PDXFF shuttered its doors after the 2009 iteration, a hole was left in the local scene.

Fast forward to the present— there’s a new kid in town. The folks over at Grand Detour, following a similar trajectory as McCormick, have established Experimental Film Festival Portland.

“EFFPortland was sparked by the desire to fill the current need for a Portland-based experimental media festival. A major impetus of the festival is to showcase the works of local media artists through a program of screenings, installations, artist talks, and hands-on workshops open to the general public. The festival will also feature work by national and international experimental media artists. The intention is to provide Portland audiences with a window into the diversity of work being created around the globe and connect local, national and international artists.”

The submission deadline is fast approaching (February) and the festival will take place in May. They are encouraging submissions of the wildest variety. How about we help them out?

-SSlappe

PNCA Announces New BFA Program in Video and Sound


Launching Fall 2012

PORTLAND, OR – January 6, 2012 – In recognition of the fact that moving images and sound have become central modes of communication and self-expression in the 21st century, Pacific Northwest College of Art (PNCA) announces its tenth BFA program, Video and Sound, launching Fall 2012.

The BFA in Video and Sound at PNCA investigates video and sound as disciplines both distinct and allied. Students in this program acquire practice-based media literacy, a multi-modal approach toward video and sound arts, and the critical, aesthetic, and technical skills vital to contemporary cultural production. The principles of video and sound are taught in hands-on learning environments, where students focus on gaining technical skills as a means to express ideas through structure, pace, rhythm, and the interplay between image and sound. Emphasis is placed on the making and presenting of single and multi-channel works in a variety of screening and listening environments. To this end, students will engage in in-depth research and draw on the rich histories and interconnections between video art, sound art, experimental film and music, installation, performance, and network culture.

“PNCA’s Video and Sound program was designed with the acute awareness of this unique moment in media art history,” says Video and Sound Chair Stephen Slappe. “Robust, easy-to-use software and relatively affordable equipment have made the means of production readily available to young creators. The Video and Sound program at PNCA offers students a solid conceptual background to deepen the quality of their engagement with these media while facilitating inventive forms of expression and communication. In addition to teaching the technical skills needed to work with video and sound, we encourage students to explore the potential of mobile spectatorship, gaming interfaces, performance strategies, network culture, and a long list of other contemporary ideas.”

“That PNCA is launching a program in video and sound makes great sense,” says Provost, Greg Ware. “Because the College is located in Portland, Oregon, a city with a wealth of artists and practitioners, businesses, and cultural enterprises engaged in these media, opportunities abound for students in this program. Additionally, with PNCA’s emphasis on cross-departmental exchange and learning, I can readily imagine extraordinary collaborations occurring between students enrolled in this new program and students in for example, Illustration, Animated Arts, Intermedia, and Communication Design.”

Slappe recently returned from a European tour that included research, the screening of a program he curated, Out of the Great Northwest, at The Horse Hospital (London), and participation in a closed seminar at Chelsea College on the subject of Moving Image Art and the Global Media Spectacle. In years past, Slappe has exhibited and screened internationally in venues such as Portland Institute for Contemporary Art’s TBA Festival, The Sarai Media Lab (New Delhi), Consolidated Works (Seattle), Centre for Contemporary Art (Glasgow), and Artists’ Television Access (San Francisco). His projects have been funded by multiple grants from the Regional Arts and Culture Council of Portland and an Individual Artist Fellowship from the Oregon Arts Commission. Slappe is currently Assistant Professor in Intermedia at Pacific Northwest College of Art where he teaches Video, Sound, and Theory and Practice courses. He is an active curator and organizer of video and film exhibitions including most recently, New Mutants at Worksound Gallery (Portland). Slappe is an amateur film archivist and has presented three programs of archival 16mm films entitled Rolling Deep: Skateboarding Films 1965-1980, Static Age: The Culture of Early Television, and Drugs, Disease, and Disaster. Slappe holds an MFA from the University of South Carolina.

World on a Wire - Rainer Werner Fassbinder

Last night in Portland! Starts at 6:30 p.m. at the Whitsell Auditorium at the Portland Art Museum.

-SSlappe

[Flash 10 is required to watch video]

Miwa Matreyek - Projector Performance at TBA:11

Cinema Project presented a program at TBA:11 featuring projector performances by LA’s Miwa Matreyek and Canadian film artist Alex MacKenzie. Matreyek’s Myth & Infrastructure exhibited her usual deftness as an animator which would have been more than enough to hold an audience’s attention. Add to that a precisely choreographed narrative using two projections plus a live, silhouetted performance by Matreyek and you can bet that minds were blown!

-SSlappe